HURTSMILE
HURTSMILE

Frontiers Records

JANUARY 21st 2011

Opener comes across with Cherone wanting to sound like Johnny Rotten and in truth ‘Just War Theory’ is a nice enough fast-paced funked up foot-stomper that does make you think you are onto a winner, clocking in at 2.41 too, it’s a nice succinct statement of intent.

Then of course it changes firstly with the quite frankly overlong and funk-for-funks-sake almost Rage Against the Machine parody ‘Stillborn’ which I suppose is nice enough if that’s your thing or you fancy contemplating some rather simplistic lyrics about the dark aspects of human nature…

By now I’m not really enjoying things, it’s like when you eat the prawns first on a plate of seafood or bite into a pie and find it half empty. Here I get the feeling that Gary has gone in a written an album for lovers of Extreme and don’t think for a moment if that sounds like you that you won’t like this it’s just that you probably won’t find anything that new or unexpected here.

Plodding along ‘Love Thy Neighbour’ starts with a bit of barbershop a Capella before a heavy riff cuts into to be superseded with trademark Pornograffitti chorus and a bit of funk. I’m sure lovers of this kind of sound will be raving over all these wonderful changes citing wonderful innovation and vision. To me its just three or four ideas shoehorned into a song and tied together with a chorus. But each to their own.

Kaffur (Infidel) lyrically is either slightly disturbing or thought-provoking depending on your point of view and your interpretation of the lyrics. As a song it’s like bad Soundgarden with Ozzy style vocals (that are particularly grating) and a slab of funked up guitar and bass. I found it quite aimless.

Just to prove a sensitive side ‘Painter Paint’ starts all acoustic and goes nowhere in its two and a half minute life. It is in truth probably just in there as a counterpoint to ‘Tolerance Song; that follows, that comes across like a bastard son of heavy riffing Stone Temple Pilots and White album Beatles (in a bad way).

Elsewhere ‘Set Me Free’ is a great song, slow building, again reminiscent of Soundgarden but this time we get a cohesive song with light and shade and dark themes. It’s my pick of the album by a long way.

The problem I have here is that there is nothing really awful here it’s just not my thing really and I don’t see anything really cool for a casual observer sure’ Jesus Would You Meet Me’ brings in a bit of acoustic riffing for variety; ‘The Murder of Daniel Faulkner’ treads on Dylan’s toes but barely; but elsewhere nothing really grabs me.

“Hurtsmile was about returning to my roots, writing a record in my basement, a straight up rock ‘n’ roll record… but it turned out to be more diverse and ambitious than I expected.” Cherone said. I for one would rather he’d stuck with the original plan.

Quite frankly I was a little surprised how much I was disappointed by this album. I’m sure fans of Gary’s previous output though; especially latter-day Extreme will love it. Maybe it landed on a bad day?   

Mark