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Lissie is currently beng tuted around the United Kingdom as the new Stevie Nicks, but on the strength of this debut album it’s hard to see why. A marketer’s nightmare, Lissie seems to have acted like a sponge and soaked up influences running the gamut of organic, bluesey rock and pop, and cherry-picked the best elements of all of them in an attempt to create her own voice and style, but she’s a little way off that yet.
In the meantime, her influences show through with a strong familiarity to Lissie’s debut album which is as beguiling as it is confusing. Is it the Stevie Nicks timbre of her white-witch voice? The Tori Amos quirkiness? The indie freak flag flying a la Emilliana Torrini? The spectre of the folkier pastoral side of Led Zeppelin which permeates the album? The soft and warm Allison Krauss-ish country-folk inflections? The reflection of the oh-so-chic French pop of Fabienne del Sol? There’s a little of all these things and more – Lissie undeniably has great potential, but she needs to choose a direction and define who SHE is a little more before the big time beckons.
